جستجوی مقالات مرتبط با کلیدواژه « بلاغت » در نشریات گروه « علوم قرآن و حدیث »

Separation and connection, as one of the fundamental and important topics of rhetorical knowledge has for a long time been discussed by linguists and Qurʾānic exegetes. This significance arises from the fact that separation and connection act as a string of rosary that binds the text's semantic beads together, keeping them from splitting and dispersing, and strengthening the basis for the text's coherence and continuity. Research in this field provides readers with a thorough view on the text and author's space and semantic horizons. Mohammad Shamsh al-Din al-Fanari is among the Qurʾānic exegetes who have discussed separation and connection. He holds that some rules should be treated as exceptions in this regard. Additionally, in contrast to rhetorical researchers, he considers separation and connection definite only at sentence level. The current article concerns examining ad analyzing separation and connection in Surah Ibrahim from the perspective of Al-Fanari. The results indicate that the rhetoric of separation and connection is based on two principles from Al-Fanari's point of view: firstly, the common meaning between the two sentences and secondly, compatibility and harmony of the two sentences in terms of being indicative or imperative. Furthermore, it is important to pay attention to the whole structure of the text and context, which means that if the sentences, without being connected to each other using coordinators, are coherent and united with each other as regards the semantic context.

In the art of rhetoric, the principle of the speaker's authority (ethos) is one of the three principles of speech, which, along with the other three principles, namely pathos (arousal in the audience) and logos (logical reasoning), form the sides of the "triangle of persuasion", which has a great importance and impact on the audience. The examination and careful consideration of the content of the words of Amir al-Muminin indicates that he has used this rhetorical device in many positions and according to the time and place, and it is one of the most important reasons for the inclusion of the Nahj al-Balagha in the list of primary rhetorical works in history concerns considering such subtleties in rhetoric. The point that is raised in the meantime is that observing the principle of the speaker's authority, which in itself implies the speaker's definition and praise of his virtues, can be combined with the virtue of humility and modesty, which is the virtue of all ethical people, especially Amir al-Muminin (AS). As we will see in the examples, throughout Nahj al-Balagha, wherever the Imam had to comply with the principle of eloquence, there was an expedient that he mentioned to justify his virtues. In other words, the words of Amir al-Muminin in expressing his unique qualities are only to prove his truthfulness in his words, actions, character and way of life, which of course is in complete contrast with self-praise, arrogance and pride.

Hakim Sanai Ghaznavi, as shown by his works, was a poet who cherished the Ahl al-Bayt (the family of the Prophet) and believed in their guardianship. The subject of guardianship, testament, and authority of Imam Ali (A.S) has been reflected in Sanai's poetry multiple times and in various rhetorical ways. The specific choice of rhetoric and linguistic composition in Sanai's poetry, aimed at showcasing the authority and guardianship of Imam Ali, has a direct connection. In this research, among the rhetorical techniques and approaches, two rhetorical strategies employed in Sanai's poetry that highlight his intended meaning are analyzed through a descriptive-analytical method. The results of this analysis indicate that among the various rhetorical techniques, proverbial antonyms, restriction and contraction, which Sanai often employs in the form of metaphorical confrontations, stand out more prominently for creating harmony between the literary form and the meaning of the text compared to other rhetorical devices. This research elucidates that Sanai's use of these rhetorical devices is in line with his belief in the guardianship of Imam Ali, allowing him to convey his belief in the authority and status of Imam Ali more clearly and decisively to the audience, thus establishing a meaningful connection between the form and content of his poetry.

In each language, the author can emphasize his words in different ways and by using special expressive tools and words in order to establish and comply with a meaning and concept in the mind of the audience and to strengthen and deepen it. Arabic, as the language of the Qur'an, has many styles of emphasis. Paying attention to the effect of the emphases used in the verses and analyzing and explaining their meanings accurately, shows the importance and necessity of paying attention to this style.In one type of division, emphasis on three positions in speech can be considered;Position of documents,document and document. This study has tried to examine the style of emphasis in the title of emphasis in documents in part thirty, based on this, has expressed the views of commentators and rhetoricians under each of the methods of emphasis and also the following verses.The method of collecting materials in this article is library-type and descriptive-analytical in terms of method.From the obtained results, it can be mentioned that; Emphasis due to its many purposes and benefits, is one of the most important methods in expressing the meanings and interpretation of verses, and in part thirty of the Holy Qur'an, this method has been widely used in rejecting the denial of the deniers and expressing the greatness of the Resurrection and Resurrection.Is.In some verses, several simultaneous emphatic methods have been used to express the intensity of importance, and some methods, such as emphasis by nouns and nouns, have been used more.

The impact of speech on the listener's soul and the creation of specific changes in his inner being is one of the criteria by which the beauty of speech is also measured. Early and late rhetoricians have pointedly and explicitly discussed this criterion for measuring the beauty of words. According to friends and enemies, Amir al-Mu'minin, peace be upon him, is one of the great talkers of history. His words, in addition to the realm of thought, have also affected the inner realms of the audience. This research has been organized with the library method and by searching historical, literary, and hadith sources to investigate what effect the words of Amir al-Mu'minin, particularly those collected in Nahj al-Balaghah, have on the lives of the audience. By analyzing the data and categorizing the audiences who were influenced by the words of Imam, it was concluded that in terms of the effective aesthetic, the words of Amir al-Mu'minin (PBUH) are at their peak because they can influence both the indirect and direct audiences, even if they have not sufficient inner preparatio.

The Holy Qur'an, as the central and main core of Islam, which is known as the mother of books among different books, contains scientific and literary knowledge and concepts. Sciences such as morphology, syntax and rhetoric owe their origin and evolution to the Holy Quran. In the meantime, rhetoric is one of the applied sciences that deals with the way of expressing meanings and the way of harmonizing the speech with the situation of its expression by giving advantage to the speech and protecting it from some mistakes. One of the miraculous dimensions of this book is the use of letter meanings in it. The question that this research aims to answer with a descriptive-analytical method is whether the meanings of the letters in the Holy Quran are all real or figurative? In examining this point, we are satisfied with the fact that each word is originally established for a specific meaning, but for various reasons, including figurative, conventional, idiomatic sense, etc., it is used for other meanings as like. Metaphor is one of the most important and necessary topics in the rhetoric. The subsidiary explicit metaphor examines the meanings of letters such as Jarrah, conjunction, verb-like letters, etc., which are not used in their original meaning. This type of metaphor is used very frequently in the Holy Quran.

The correct interpretation of Quranic verses, especially those with ambiguous meanings depends on the utilization of various sciences and fields among which the exegetes have always paid attention to rhetoric. Now, the main question is what is the difference between the two approaches of interpretation and formalism in assigning a role to the science of rhetoric and its techniques in understanding God’s intent, especially in verses regarding imagined corporeality and its analysis? The approach of this study, which is based on library studies and describes and analyzes the approach of the exegetes in verses regarding imagined corporeality and motion, is that in explaining this group of verses the interpretative and formalist exegetes have acted in two ways and each of them has assigned a role to rhetoric and especially to allegory in explaining and justifying their own views in the interpretation of verses especially verses of imagined corporeality and, in continuation, attention or indifference to the science of allegory as a pillar of rhetoric principles and laws has lead to the two approaches of interpretation and formalism in the exegesis of verses. Moreover, the number of literary views of the exegetes who agree with the interpretation does not arise from their different exegetic understanding of these verses; rather, the variety of rhetorical principles and laws produced from the literary views of exegetes is one of the discussions that has been argued to avoid the corporeality of God.

Part of the literary beauty of the Qurʾān can be seen when examining the structure and text of its chapters. This study is followed by descriptive-analytical method and aims to present the aesthetics of this sura at the level of structure, sounds and vocabulary. The results of the study indicate that this sura has a coherent structure and its discussions are presented in two categories: The first category contains the story of the faith of the Jinn by hearing the verses of the Qurʾān and their freedom from polytheism. The second category also includes the proof of the message of God's mission and the unseen world. The aim and purpose of the sura is to call for monotheism and to prove the prophecy of the prophet Muḥammad (PBUH) and that the Qurʾān is a guide fo humanity. At the phonetic level, arrays of repetition, al-tasdīr and alliteration have been used, which show the beauty of the words and the coherence of the text. At the lexical level, the final words of this sura are very similar to Sura al-Kahf. Through the comparative study of two surah, one can reach new points.

The expressive miracle of the Qur'an is one of the aspects that all Muslim scholars have accepted as an important aspect of the miracle of the Qur'an since the beginning of Islam. In recent times, orientalists have also conducted extensive studies in this field; Some have praised the fairness of the language and others have tried to tarnish it by asking questions to question the book's revelation. In this research, focusing on George Seal's problems in this field, the suspicions have been examined and criticized. The aim was to extract the answer to the doubts raised from literary books and commentaries, and then to defend the literary miracle of the Qur'an and its revelation. To this end, the collection of suspicions and George Seale's views on it are first mentioned; in a summary, the answer is given. It seems that the unfamiliarity of the perpetrators with the structure of the Qur'an, which is a spoken (spoken) rather than written (written) structure, has been the source of many of these doubts. However, many of these problems, due to the speech structure of the Qur'an and its gradual decline over twenty-two years, are in line with the audience and represent the peak of the rhetoric and eloquence of the Qur'an.

One of the trends in the interpretation of the Holy Quran is the Egyptian New Mu’tazilite trend or literary interpretation, which, according to the specialization of an exegete or his personal interest, basically explores the literary sciences in the Quran, such as morphology, syntax, vocabulary, and rhetoric, and relying on these literary sciences analyze the verses of the Quran and interpret the Quran. Literary interpretation has gone through significant changes and evolutions and has finally flourished and evolved in the new era. This trend, which started with the appearance of Taha Hussein in Egypt, was continued by Amin Khauli and his student Bint al-Shati and reached its peak in the thoughts of Nasr Hamid Abu Zayd. The first goal of these interpretations is the pure literary understanding of the Quran without any preconditions. For this interpretative tendency, indicative elements such as a systematic look at the verses, lack of synonyms, precedence of the Quran over literary rules, respect for the culture of the descent era, opposition to scientific interpretation in a special sense, etc. have mentioned a new identity. In this article, an attempt is made to analyze and explain in detail the function of each element in the interpretation of the Holy Quran with a library study and descriptive-analytical method.

After humans, animals are one of the most important creatures whose rights have attracted the attention of human societies more than any other creatures. One of the issues that has been given special attention in the Holy Quran is the issue of animals, considering its diverse spectrums, including domestic and wild animals, birds, insects, aquatic animals, and reptiles from different perspectives, such as the way of creation, practical benefits, and miraculous aspects. (such as Saleh's donkey (pbuh) and the cow of Bani Israel) and evidences for resurrection (such as Uzir Nabi's donkey (pbuh) have been looked at. In a general division, animals are divided into three categories in Surah Noor Mubaraka: 1- Reptiles: ﴿Whoever walks on his belly ﴾(Noor/45); 2- bipedal animals: ﴿Whoever walks on legs ﴾(Noor/45); 3- Quadrupeds: ﴿Whoever walks on all fours ﴾﴾(Noor/45) and 4 - Another group of animals that joins this division are aquatic, such as fish and noon (whale). In the present research, we intend to investigate and analyze the linguistic and rhetorical aspects by mentioning some of the verses that contain the word "Anaam". Let's discuss the lexical and perhaps the epistemic manifestations of this word with many connotations and a wide content.

Nahj al-Balaghah has a prestigious position in terms of literary and rhetorical illustrations, and Imam Ali (A.S.) elaborately created rhetorical and impressive images of the events. By thinking deeply about the nature of the rhetorical images in this exquisite book and by studying and being aware of new rhetorical achievements, we will witness the closeness of the rhetorical images of Nahj al-Balaghah with cinematic images. The dynamic and technical images of Imam (A.S.) surprisingly include effective cinematic elements. These images play a significant role in conveying the discussed themes. This article, relying on the theoretical foundations available in the books of film criticism, examined the most important cinematic components and then extracted the evidence of narrative tones from the sermons of Nahj al-Balaghah to determine the cinematic and theatrical capabilities of their images. The result of the present research shows that the rhetorical images of Nahj al-Balaghah, especially in the religious text, take advantage of the narration, elements, and cinematic features. Elements such as nested narration and moving narration, mise-en-scène, perspective, camera angle, montage, and editing process are used in Imam's rhetorical images. These elements play an active role in the effectiveness and dynamism of the presented images.

1072 / 5000Translation resultsThe forms of the condition in terms of meaning include causation and stopping on each other, the conditional verb and the answer and the conditional devices are its basic elements. The second sentence often focuses on the conditional sentence. In the discussion of conditional sentences and different types of devices, as well as why the use of a certain type of verbs is of special importance, In the applications of the Holy Qur'an, the rhetorical subtleties of conditional sentences with "if" in terms of certainty and "in" in terms of doubt and probability, and "if" that the refusal of the conditional answer is due to the conditional refusal have been studied and also shown. It has been said that sometimes the verb condition can be used to mean the past and the present, and "it", although often in the sense of doubt and probability, is sometimes interpreted with certainty, and sometimes in the sense of rebuke, irony, condescension and ignorance. It is sometimes used in impossible matters. Also, "Lu" is mentioned in the Qur'an in the form of refusal and non-refusal, and "if" is not permissible and will be used in the future tense. Sometimes the verb is its condition in destiny and it is used in definite matters.

In surahs of the Holy Qur’an, there is an interplay between meaning and the means of expression. One example of this can be seen in Surah Ash-Shams. This short surah with a beautiful rhyme and music, and with numerous oaths to the most beautiful elements of nature and to the human soul, and the oath to the creator of these phenomena and by using rhetorical and literary interpretations has tried to reflect the beauty of self-purification. The present article aims to articulate the relationship between rhetoric and self-purification, which is the theme of this surah. Among the findings of this research are the existence of verb-initial sentences and the predominance of the transitive verbs in this surah and the (in)definiteness of some elements of the oath and the succession of oaths in order to convey the meaning of self-purification. The long syllables at the beginning of the ayahs and the repetition of the vowel (ا) and the type of rhyme and inner music of this surah have made the role of rhetoric and literality in conveying this theme more colorful. These findings indicate that the sub-branches of rhetoric are in line with the theme of the surah. Considering the question of the role of rhetoric in conveying the meaning of self-purification in this surah, the present descriptive and analytical study intended to prove this reality by relying on the text of this surah and by extracting examples and evidences depict the interaction of rhetoric and music in the transmission of meaning.

Allusion is one of the oldest and most widely used rhetorical devices, which because of, among others, compactness and linguistic brevity, the inclusion of a part of an absent text in a present text and the prominent role of the audience in merging and receiving this textual interference, has attracted the attention of poets in all periods and has added to the semantic richness and beauty of poetry. This literary device has been used in the poems of contemporary poets in more complex ways and with more variety of form and content, the analysis of which requires more detailed studies taking new approaches. On the other hand, Qur’anic stories are among the first texts that classical and contemporary Persian poets refer to in their allusions. Accordingly, in this study, the narrative-Qur’anic allusions in Fazel Nazari poetry were studied placing emphasis on the structural and formal diversity of his allusions to identify the most frequent narrative allusions as well as the methods and techniques using which he has employed the narrative allusions of the Qur’an in his poetry. A descriptive-analytical study of all six poetry books of Nazari showed that in terms of content, the stories of Adam (AS) and Yusuf (AS) are the most frequent Qur’anic allusions in his sonnets. Furthermore, structurally speaking, there are all kinds of combinational, multimodal, echoic, ironic, etc. allusions in his poems, which indicates the variety of applications and the complexities and artistic delicacies of this device in the poems of this poet.

Metaphor is studied from various aspects that one of the important aspects of which is the study of metaphor from a conceptual point of view, which is called "conceptual metaphor". Many people in the early days of Islam converted to Islam due to the eloquence and rhetoric of this Divine Words; Therefore, researching this precious heavenly book, in addition to discovering the truths, by applying the findings obtained from it in life, can lead to worldly and otherworldly happiness. It should be noted that the profit of a business is determined at the end, not the beginning and middle of it. Due to the beauty and great effect of conceptual metaphor, research has been limited to the study of conceptual metaphors in the first part and the twentieth chapters of Holy Quran. It also answers the question “What the function of metaphoric words in first and twentieth chapters of Holy Quran are and where the place of metaphor is in the eloquence and spiritual influence of Holy Quran while studying the abovementioned field.