جستجوی مقالات مرتبط با کلیدواژه « زبان بدن » در نشریات گروه « علوم انسانی »

The main objective of this research is to identify the function of behavior and body language in creating the dramatic expression present in the story of Prophet Yusuf (Joseph) in the Quran.

The information and data in this research have been collected through the library method and then analyzed using the narrative analysis method.

Part of the life of Prophet Yusuf is mentioned in the Quran, and his story is addressed in different numbers of verses. By examining all the verses, in some of them, behaviors and actions can be seen in the form of body language that have advanced the suspense, character development, and conflict in the story. Rereading the Quranic story of Yusuf, considering the analysis of the dramatic expression present in it, provides us with new points in storytelling and the rhetorical style of the Quran.

In the story of Prophet Yusuf, behavior and body language have been used to create dramatic expression. In this story, God has unveiled thoughts and ideas, emotions, moral values, and personality traits through the limbs of the body and their states, which, in line with dramatic expression, have caused the creation and intensification of suspense, character development, and conflict. This has led to the eloquence and, consequently, the complete penetration and influence of the divine word, considering the psychological characteristics of human understanding, and best illustrates the purpose of narrating the story of Prophet Yusuf.

Possessing good communication skills is one of the main professional criteria for having effective teaching and classroom presentation. This study tries to pave the way for analyzing the body language of the student-teachers of Farhangian University during class presentations and delivering interpretation of the common discourses in their body language. To realize the goal, a qualitative approach has been used with a mixture of collaborative observation and phenomenological methods. The research participants were professors and students of Farhangian University in the 2023-2024 academic year. The research sample was selected through purposeful sampling of the confirming type of cases; therefore, ten professors and eighteen student-teachers were selected given the theoretical saturation. The data gathering tool was participatory observation and semi-structured interview, which after the determination of research objectives, the presentation of the student-teachers came under observation. Structural-interpretive analysis was used to analyze the data and the details of the findings interpreted. The results denoted that student-teachers use body language signs in their classroom presentation for twelve types of discourse, including the discourse of content completion, the discourse of persuasion, the presenter assertiveness or non-assertiveness, emphasis on verbal content, keep calmness, the ability and mastery of the presenter, the presenter trust or lack of trust, the approval and disapproval, control and warning to students, participation of students in the classroom, keeping balance and fairness in interaction with students.

This research focuses on the comparative study of proverbs and expressions in French and Persian languages. This branch of linguistics has keywords in different areas of meaning, such as plants, animals, human body, colors, numbers, nature, etc. To define the subject, the authors of the article chose the terms related to the human body and targeted five organs, that is to say "the head, the eyes, the heart, the tongue, the hands". The researchers wondered if the French terms in question are equivalent to those in Persian. If so, is the member used in both languages ​​the same or different? This comparative-analytical study is based on the studies of linguists in this field. Along with the examination of the terms cited, one encounters cases where two different organs, the repetition of the name of an organ, or the combination of the name of an organ and an adjective create a new expression. Also, the symbolic role of the limbs used in French and Persian proverbs and expressions is very evident. According to the search results, often these French expressions have equivalents in Persian, or find structures in our language in the form of explanatory sentences. In the equivalent of some expressions, the organ is not used as a keyword, and in some others it is used in conjunction with the name of another organ.

The aim of this study was to determine the effect of body language training on failure and defectiveness schemas of university students with academic failure. This experimental study adopted a pretest-posttest design with a control group. The statistical population of this study included all Qom University of Technology students, of whom 30 were selected by convenience sampling and randomly divided into two experimental and control groups. The Young Schema Questionnaire was used to collect data in pre-test and post-test stages. The experimental group received eight sessions of body language training. The results of univariate analysis of covariance (ANCOVA) showed that there was a significant difference between the experimental and control groups regarding their post-test failure and defectiveness scores. The results highlight the significance of body language training in helping university students struggling with academic failure.

Non-verbal communication is a communication that conveys concepts and meanings through non-verbal and speech. messagesNon-verbal messages are more powerful than verbal messages. Body language, non-verbal communication andIt is our non-verbal communication that we use in each of our interactions with others. Body language includedPeople's messages are with looks, facial expressions and gestures that help the reader to understand the text in literary texts.slow "Paul Ekman" and "Walce Friesen" have done extensive research in the field of non-verbal activitiesTheir goal is to better understand people's emotions and behavior. They non-verbal activities in three waysThey have analyzed "origin-encoding-use". This research with descriptive-analytical method based on approachesMentioned from "Ekman and Friesen" body language in the novel Al-Shahaz, which is the work of Najib Mahfouz, including; face languageThe language of gaze and head gestures has been described and examined. The results obtained from the analysis of language samplesThe body in this novel shows that the origin of facial language, which has a high frequency in the novel, is intrinsic.Its encoding is instinctive and its use is informational.

Poetry is an event and a revolution that occurs in the poet's impatient soul, a stimulus that motivates her to rise up in words and put an end to the chaos of the disordered world. and display the outside world in the frame of art and become a mirror to reflect the political and social reality.Therefore, the poet uses language as an important tool in the relationship process among people in society. Communication is divided into two types of verbal and non-verbal communication based on its communication methods, and each communication includes the components of sender, receiver and message. But in non-verbal communication, features such as facial color, eye and eyebrow gestures, head and hand movements, etc. are discussed.Ahmed Matar, a famous Arab poet, has used many verbal communication such as conversation, debate, etc. to convey her literary concept and experience in her poetry.In addition to this type of method, she has artistically used non-verbal communication, which has the role of complementing, substituting or denying and emphasizing, etc. for verbal messages.This article tries to clarify the purpose of non-verbal communication and the place and importance of body language in the reader's understanding and reception of Ahmad Matar's poetry with a descriptive-analytical method. Body language, hand and face movements, possessions and the conditions of the time are well-helped to convey the purpose and finally the space in his poem.

Fiction is full of non-verbal cues, including body language cues. Examining stories from the perspective of non-verbal communication, especially body language, which is a chain of extensive cues and messages are received according to the context of communication, can lead to a new reading of the text. Azhar Gerjis in the novel“sleeping in the cherry Field” has used the signs of body language, including the language of the eyes, hands, head, touch, limbs and physical appearance. This research intends to use descriptive-analytical method based on semiotic approach to analyze the role and position of body language and their function in this novel.Research findings show Gerjis messages such as; Astonishment, anxiety, anger and rage, forgetfulness, fear, etc. are conveyed to the audience through body language, the unveiling of which plays an important role in discovering the message hidden in the text. Among the non-linguistic behaviors mentioned in the novel, eye language with (32%) has the most role during message transmission and language of physical appearance (facial hair) with (2%) has the least role and body language in this novel is more, alternative and substitute. It has become verbal communication but in some cases it has emphasized more to complete the verbal message or verbal messages. The use of body language in this novel has increased the theatrical capacity of the story.

Body language is one of the most important communication tools of human society, which people use to express different emotions and meanings. The role of body language in the context of literary texts to discover purposes and conceptual data and literary arrays embodied in body language; It is remarkable. The book of Nahj al-Balagheh is full of literary arts and verbal subtleties. In this article, the topic of body language (hand) in Nahj al-Balagheh is investigated in terms of conceptual-rhetorical implications in a descriptive-analytical way. Among the conceptual and rhetorical meanings used in the words of Imam Ali (a.s.), we can include expressions of helplessness, insisting on disobedience, declaration of allegiance, avarice, cursing, the amount of blessings and forgiveness, preparation for Attacking, acceptance of allegiance, regret and regret, assistance and harmony, sadness of separation, regretful impatience, expressions of regret, seriousness and tirelessness in demanding, distance between right and wrong, being defeated and being wrong, metaphor., simile, allegory, irony and adaptation.

Among the communication processes, communication science considers an important role for non-verbal communication. This role becomes important in one-way communications; like the News in which receiving feedback from the audience and correcting the sender’s moves is not possible when sending the message. In this research, 18 21:00 programs of IRIB’s TV channel 1 have been systematically selected and studied using qualitative analysis method to identify the six types of known non-verbal communications (approval, completion, denial, repetition, control, and succession) used in 21:00 news and relate to the text read by the anchor. Five parameters of “the anchors’ posture”, “gestures”, “facial expressions”, “eye contact” and “paralinguistic features” were selected as the main parameters totally shaping 38 sub-categories. After qualitative analysis of the extracted categories and subcategories, we concluded that most of the non-verbal communications used by the anchors are restricted to the movement of the head and facial expressions, and the movement of hands and different postures have barely been used. In general, the anchors select the “stone face” (stilt) position as their base position for news reading and when reading the news, they try to use body movements and phonetic techniques in order to refrain from monotony, but incorrect usage of this technique or overusing non-verbal movements can reduce the validity and attractiveness of 21:00 news. Also, the function of emphasizing the speech by non-verbal communication is used as the mostly-used function by the anchors after which completion and control are the most important functions.

Analysis of eye language in the biography and words of the Prophet (PBUH)AbstractCommunication is the process of sending and receiving messages that are sometimes formed in the form of words and sometimes in a form other than words. The effect of non-verbal communication on the audience and the recipient is more than verbal communication. Nonverbal communication is the use of different parts of the body to receive and send messages. Among the types of non-verbal communication, in other words, the use of body language in the communication process, "look language" or eye communication has always been of paramount importance. It seems that the importance of this issue has been raised in religious texts and it has been used well to strengthen communication with the audience. Accordingly, in the present article, an attempt has been made to use the structure of eye contact or the language of gaze in the biography and words of the Prophet (PBUH), using the analytical-descriptive method, with the question of how the language of gaze is manifested in the biography and words of the Prophet. Found ?. The findings of this study indicate that whenever the eye and the gaze sit on the bed of "speech", it conveys the message wisely while also containing a symbolic and sign language.

One of the constant and important goals of poets and writers in their verse and prose works is to communicate with the audience as best as possible and convey the meaning and message to them as best and accurately as possible. In this regard, using verbal and non-verbal communication has been one of the most common methods in this regard. Non-verbal communication or the use of visual signs has always been an efficient tool for poets to convey themes and concepts hidden in poems. Concepts that main topics are issues such as education, awareness and awakening of people and love (descriptions of the beauty of a lover, separation of a lover, etc.). 'Orfi Shirazi is one of the poets of the early Safavid period, who played an important role in the development of the Indian style of ghazal. The main volume of his divan is sonnets. One of the important indicators of 'Orfi poems is the visual signs (non-verbal communication) hidden in his lyrical themes. For this reason, the present article, using the descriptive analytical method, has attempted to analyze the level of non-verbal communication of "body language" in non-linguistic actions, in 'Orfi Shirazi poems. The hypothesis of the current research is an emphasis on the issue that the body language in the non-verbal communication of 'Orfi Shirazi's lyrical poetry is completely intentional and aimed at attracting the beloved and attracting the audience, as well as rethinking the behavioral patterns of the individual and society, with the aim of irony and symbolism. Among the non-verbal communication processes in 'Orfi Shirazi's poems, gestures and gestures specific to the face, hands, feet, and eyes have the most communicative function and play an important role in conveying concepts and messages.

Social semiotics examines the status and function of signs in the society and it is one of the recent approaches to text analyses in semiotic studies. One of the important views in the discussion of social semiotics is Pierre Guerrero who classified social semiotics into issues of identity and social etiquette. Signs of social etiquettes show how individuals and social groups communicate. These signs are divided into verbal and non-verbal communications. The aim of this study is to find the signs of social etiquette in Makhzal Al-Asrar based on the Pierre Guerrero's framework. Using a descriptive-analytical method, this study explored the social signs of non-verbal communication from the Makhzal Al-Asrar. After categorizing, counting and analysing the data, it is found that these signs are associated with actions and postures, various states of facial expressions (crying and laughing, shyness, color, look and eyes), distance, space, food, objects, clothes, symbols and signs, smell and aroma in Makhzon-ul-Asrar. However, the actions and posture of the body and the posture of the behaviour, respectively, had the highest frequency of use, which has played a role in the transfer of concepts through body language along with the spoken language. With the intention of recognizing and encouraging the audience to accept moral-behavioral norms according to his proposed models, Nizami consciously uses the non-verbal communication indicators as auxiliary language in order to make his teachings more effective.

Corporeal communication is a clear expression of non-verbal communication by means of the body and its nuances that takes shape in interpersonal relationships. This form of communication may be intentional or unintentional and be accompanied by verbal features or not, and functions as an extra-linguistic factor. In Persian literature, Anvari is among the poets who have used corporeal elements in their compositions; in particular, these are common in Anvari’s ghazals (~sonnets). The present study, employing a descriptive-analytical methodology and drawing on a philosophical theory of the body, examines twelve approaches in a total of forty of his ghazals. The research findings indicate that the highest frequency of corporeal approaches in Anvari's ghazals belonged to the ‘aesthetic’ approach, which enhances the artistic aspect of his ghazals. Other approaches, in the order of frequency, included: political approach; psychological approach; socio-cultural approach; biological approach; existential approach; gender approach; philosophical approach; metaphysical approach; and, semiotic approach. The abundance of these approaches and their distribution in Anvari's ghazals not only reveals the intrinsic essence of his poetry, but also reflects the predominant style of non-mystical poetry in the sixth century AH, which, in addition to being meaningful and thoughtful, is primarily form-oriented and crafted through linguistic finesse.

The actor's "body language" is one of the most important tools for invigorating the characters of the play, which can also represent the geography, history, culture, and society of the play. The mystical culture of Iran, especially the part that flourished in the context of Islam during the 3rd to 9th centuries AH, emphasizes certain bodily states. By using these body postures, the actor can manifest a kind of spiritual behavior while using words. Contemporary studies in the fields of "non-verbal communication" and "visual culture" have investigated the same issue from a psychological and sociological angle. Stanislavski's acting system, which is a relatively new system of acting training in the last hundred years, has explored the inner roots of bodily actions. Using the comparative-analytical method this article deals with the body language in the three mentioned fields in comparison with Sufism and Islamic mysticism. It shows that by teaching the quality of body language of Muslim mystics, through mystical stories and texts to the actor, he will be able to dress up his body as an artistic medium and achieve a more creative, indigenous, and original image of his role.

Semiotics, as an emerging science, studies the signs in nature and examines their effects on the natural, social, and cultural relations between the humans.  This nascent  knowledge  can  be  analyzed  and  studied  using  sciences  related  to  the signs and the process of communication. Body language is one of the sciences that deals with communication between humans without establishing words and only through body movements.  In  this  study, we  examine  a  number  of verses of  Haft  Peykar,  which  is  a  symbolic  work full  of  signs.  Haft Peykar is Nezami’s masterpiece in which he uses body language and semiotics. According to the  results  obtained,  Nezami’s  Haft  Peykar  often  deals  with the general movements  and  postures  of  the  body  which  are  a  kind  of  code related  to  the period of composing the work and the habits of the people of that time. Studies show  that  nonverbal  communication  and  semiotics,  as  two separate  bodies  of knowledge,  can  influence  each  other  with  many differences.  In  addition,  by making  a  connection  between a  literary  subject and  two  social  sciences,  it  is possible to better understand the concept of a literary work.

Audience persuasion, as a process used to change the audience attitude and associate him with the speaker's beliefs, is one of the main objectives of the educational mystics texts including the spiritual Mathnawi (Masnavii Ma’navi) of Jalalu'ddin Rumi, Mawlana. Mawlawi all over the Mathnawi has tried to convey the mystical and religious concepts to the audience by resorting different ways of influencing the audience and has benefited from several verbal and nonverbal or mystical and non-mystical tools for this purpose. One of Mawlawi's ways of achieving this goal is to benefiting from the storytelling ways and expressing the under considering concepts in the form of conversation and debate among the characters of the story. Among the beautiful stories of Masnavi that clearly illustrates this theme is the story of Nakhjiran and Lion. Rumi promotes this story in a conversational way and from the language of each of the debate parties using specific methods to satisfy the opposite party, deals with the expression of common beliefs and faiths in the context of strive and trust. In this debate that takes place in two major parts: Debate between Nakhjiran and lion, debate between Rabbit and Nakhjiran; each of the debate parties uses specific ways to satisfy an opponent that most important of it includes: protest to verses and narratives, mentioning the intuitive, intellectual and conscientious reasons, use of body language, allegory and ...

The signs in communication are not certainly limited to language. Many concepts are expressed non-verbally. Non-verbal communication is a new field of study that examines and analyzes messages in non-verbal behaviors, such as facial expressions, eye contact, and gestures, which people use to convey the message and help the reader understand it. Paul Ackman and Wallace Frieson have conducted extensive research on nonverbal activities aimed at better understanding people's feelings and behaviors. They have analyzed nonverbal activities in three ways: 1. Source 2. Encryption 3. Application. Source is the origin of every action and can be intrinsic, fixed, and of cultural educational nature. Encryption refers to the relation of action to meaning, and it can be conventional, visual, and instinctive. Application includes the amount of informational nonverbal behavior that can be communicative, interactive, and informational. This research is a descriptive-analytical method based on the approaches mentioned by Ackman and Friesen about body language in Nahj al-Balaghah through which facial expressions, movements of eyes and hands, and tactile gestures are examined and described. The results of analyzing examples of body language used in Nahj al-Balaghah based on Ackman and Frieson's theory show that Nahj al-Balaghah has such a high capacity in terms of body language that it can be analyzed through new theories of non-verbal communication and the origin of "face language", having a high frequency in Nahj al-Balaghah, being inherently and instinctively encoded, and used for informative purposes.Keywords: application, encryption, body language, Nahj al-Balaghah, source